Awakening the furniture, carving a stencil

This week I painted a little table that belonged to my grandmother. It had been serving as a neglected yet useful platform for the dog food container in the basement, until it dawned on me that it would be a sweet object on which to photograph my katazome runners (I’m s l o w l y preparing a new Etsy shop). I would guess it’s a 1940′s era piece – drop leaved, long legged and compact. One small drawer put together with a dovetail joint. I painted it an earthy barn red, not wanting to strip and re-varnish it.

This attention to furniture led me to dust the rest of the surfaces in the house – a task that I have always enjoyed since being assigned it as a child. I’m still inching through the book, The Poetics of Space by Gaston Bachelard, and found a passage that affirms my fondness for dusting furniture and rearranging favorite objects. In reference to the act of waxing a desk, Bachelard muses, “Objects that are cherished in this way really are born of an intimate light, and they attain to a higher degree of reality than indifferent objects, or those that are defined by geometric reality … The housewife awakens furniture that was asleep.” And, “A house that shines from the care it receives appears to have been rebuilt from the inside; it is as though it were new inside. In the intimate harmony of walls and furniture, it may be said that we become conscious of a house that is built by women, since men only know how to build a house from the outside, and they know little or nothing of the “wax” of civilization.” (p. 68)

I spent the afternoon completing a stencil that I’ll be using in a wall piece (a variation on a previous piece) about my sister’s house, which interprets a view from the woods above the house. I’ve designed this stencil a repeat on the horizontal dimension.

Trees near and far

Trees near and far

Comments

  1. Pam says:

    Oh, I like the new stencil! I don’t remember the table of Nanny’s – but I’m sure it will look familiar when it appears with your runners on it.

  2. Tracy Mcnicoll says:

    Can I first of all say how amazing your work is, such beautiful designs. I am wondering where you get your shibugami paper from.
    I have used John Marshall’s rice paste with natural indigo and love the results, but applying it with a good old icing bag and hand drawn images. The stencils give such lovely detail and crisp fine lines.
    Look forward to hearing you.
    Tracy

    • Kit says:

      Thank you Tracy! I get my shibugami from John Marshall. You can find a link in my Resources links section on the blog.

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