Back from my adventure in Covelo: the katazome workshop with John Marshall. The road to Covelo, CA follows the Eel River, officially Wild and Scenic. A wonderful place to swim too!
Eel River, on the way in and out of Covelo, CA
Classes take place in John’s home/studio, a restored flour mill. The dates on the facade are 1888-1914-1999. The name of the gorgeous pink flowers escapes me.
The Mill
A few insights: Yes, I have been making my rice paste too thick, and the raw paste too dry. Revelation: golf balls and dough-nuts are unnecessary. I really like this! Here, the raw paste is ready to steam.
Rice past resist ready to steam.
I have been working with freeze-dried indigo this summer, and it was great to observe the preparation of the vat and then the re-heating of the vat the next day. Here are pictures from our indigo experience.
Introducing the freeze-dried “instant” indigo to the vat:
Adding indigo to the vat of body temp water
Here are two ways of skimming the oxidized bubbles, “aibana” or indigo blossoms, from the top of the vat, which is necessary unless you want the dark spots of bloom on your work.
skimming method 1
skimming method 2
Using the 2nd method is great — you can then dry the bubbles and use them as indigo pigments along with the soymilk.
attaching cloth to frame
Ready to dip the cloth. (That’s my Covelo house-mate Eva Pietzcker, an artist from Berlin who makes gorgeous woodblock prints in the Japanese tradition.) John has a rope and pulley system, used primarily for larger pieces of work which need the larger ceramic vat (which you can see behind John). These containers are from China and were originally designed to hold soy sauce.
ready to dip
In goes the cloth … count to three … pull it out and over the outside edge of the vat to drip. You want to avoid introducing oxygen. John’s rule of thumb: the rice paste resist can withstand three brief dips, then must hang to dry before further dunking. If you want it darker repeat that until you achieve the depth of color desired. Observe the paste — you want to stop before it starts to break down.
into the blue
See the lovely dark green which will turn blue as it oxidizes …
dark green turns to blue with oxidation
Afternoon break most days featured home-made shaved ice! John has a lovely Japanese cast-iron hand-crank machine with gears – the ice sits vice-grip-like in the machine on top of a flat blade. A hand crank turns the blade and the shaved ice falls into the bowl below. We tried it with powdered green Japanese tea and sugar syrup on top; and with home-made blackberry sauce! Yum! I was too absorbed in the experience to take a picture, but found this short video on YouTube that features a similar type of machine.
The hot dry air in Covelo is perfect for working outside, stretching fabric between uprights of the Wisteria arbor.
arbor and yard
placing shinshi
Oh, and I must not forget Nutmeg, the cat.
Nutmeg
Many fine experiences to reflect upon over the clouds of Colorado and beyond!
clouds above Colorado
In less than 24 hours I’ll be on my way to California! I’m taking another workshop with John Marshall and look forward to new learning, and to seeing Sacramento, Covelo, Eureka, the Pacific and the winding roads! Hopefully this will also mean a break from the heat and humidity
Last weekend in Loring Park – 90 degrees both days, humidity about the same — very uncomfortable! Here are a few pics:
Friends -- do we look cool? It's still early in the day...
View out the back of my booth, with Basilica in background
I met another fiber artist working with natural dyes — Dawnette Davis of Grand Rapid’s Minnesota (no website yet….). I bought a beautiful silk scarf from her dyed with iron-modified cochineal and imprinted with rusted objects….the iron modifier created a beautiful grayish violet/blue. Here’s a photo. Beautiful work!
naturally dyed (cochineal, iron) silk scarf by Dawnette Davis
I’m busy in the kitchen in between trip preparation tasks trying to put away some of the veggie garden harvest. Yesterday it was two big batches of pesto. Today it’s salsa and cutting up oodles of zucchini for the freezer. My husband planted many Gladiola bulbs and so we have them all over the house as well as garden. Trimming bouquets and deadheading in the garden today it occurred to me to freeze some blossoms and then try India Flint‘s ice flower dyeing technique when I return. Don’t you think freezing flower blossoms for dye is a brilliant idea? I really look forward to seeing what kind of color these yield …
Glad blossoms for freezing
I am not bringing the computer so expect more on the blog after August 23rd when I return!
This week I bought a piece of handmade Japanese Kozo, cut it up into 10 pieces and then made my own momigami, or “strong paper.” This is done by coating the sheets with konnyaku starch, which comes from the Devil’s Tongue root. It’s a powder you mix with water, brush on both sides of the paper and then crumple the paper into a loose ball.
kozo coated with konnyaku and scrunched
While the paper is still damp you crumple it more and work the surfaces together. The more you work with it, the more like cloth it becomes. Then spread each sheet out to dry flat on a table.
kozo wet with konnyaku starch
This treatment makes it receptive to dyes, and easy to stitch. I get my kozo and konnyaku from Wet Paint Art in St. Paul, and they get it from the Japanese Paper Place in Toronto. (Check my Resources Links.)
dry momigami
I wanted it flat (not perfectly) so I could mount my silk pieces to it, so I ironed it. I really like the wrinkled surface and the color of the kozo. And it’s a dream to hand stitch.
katazome dove on silk broadcloth, natural pigments, hand-stitched to momigami
This Saturday and Sunday I’ll be at Loring Park Art Festival.