I’m getting ready to show my work next Sunday at the St. Paul art fair, Art at St. Kate’s. Come and say hello if you are in St. Paul! For more information, check the Artist’s Circle website.
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a studio journal
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I’m getting ready to show my work next Sunday at the St. Paul art fair, Art at St. Kate’s. Come and say hello if you are in St. Paul! For more information, check the Artist’s Circle website.
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BirdxBird Silent Auction and Benefit
Don’t miss BirdxBird 2010 this coming Saturday evening, February 6th!
The 8th annual exhibition and silent auction featuring work by 130 artists in all media to benefit
Audubon Center of the North Woods & Eloise Butler Wildflower Garden and Bird Sanctuary!
Reception and silent auction
Saturday February 6, 6:00-9:00p.m.
With music by Mary Klueh and Norman Andersen
Open to the public ($5 donation requested)
Northrup King Building, Gallery 322
1500 Jackson St NE, Minneapolis, MN
See BirdxBird.org for more information!
With my submission, I claimed the Barred Owl, Athena, who is part of the Adopt-a-Raptor program at the ACNW.
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I’ve always enjoyed working with cotton velveteen. So this week, I started some experiments using katazome techniques.
Intending to make crushed velveteen from a smooth piece of cotton velveteen, I dipped a piece in left-over soybean milk sizing, squeezed it out, carefully crushing it,
and then hung it on the line to dry. When the experiment is complete hopefully I can restore the velveteen to a soft hand while maintaining the crushed look.
Then I pasted my owl stencil. The paste took well even though there are thick and thin places due to the surface texture.
I soy sized another length of velveteen using the jizomebake per the usual procedure, but brushing soy sizing on both sides of the fabric, thinking that, because of the nap on the top side, it might help give the dyes a better lock on the fibers. I was surprised by the smooth feel of the velveteen after sizing – barely noticeable really, and this piece took the paste well too. I stitched the crushed velvet to the smooth piece so that I could stretch both pieces as one length on the shinshi.
And on the other side of my studio….
Above is a detail from a length of a reclaimed linen damask tablecloth, which will become two runners. The pattern in the cloth looks like dahlias or mums.
I pasted my Meadow Rue leaf pattern onto the damask, arranging it so I can cut two runners from the one length.
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